In the tone of the thing, I decided to try and draw from the Kirby era of Cap where characters like Arnim Zola were created in the mad bomb stuff. All of these giant huge ideas, and a bit of sci-fi leaning as I am wont to do, that seemed perfect to me. To sort of emulate, as much as I could in my own voice, that era of Cap. So that’s sort of where we’re going. Seeing Johnny do that stuff, there’s nobody who could do Kirby and still be himself like Johnny. It turns into this, it’s like Man Without Fear mixed with all of the mad bomb Zola Kirby stuff.
One of the mandates I have to myself is, I don’t want to touch the World War II stuff. I think that that has been done, now, and it’s been done perfectly. To go back and to keep focusing on Cap in World War II at this point, again, would be following too closely to what Ed has already done. What I’m doing is spending a lot of time in the Lower East Side of Manhattan in the 20s and 30s, showing Steve grow up. The first arc is 10 issues, and it’s called “Dimension Z.”
I don’t want to give away too much, but a big portion of it is Cap dealing with Arnim Zola in Dimension Z. I’m trying to take Zola and do with him, what we did with Apocalypse over in Uncanny X-Force. Where we take what’s there, re-imagine it, build a new mythology and really expand Zola, and try and build Zola into a very, very big and important character.
The other half of it is going to be a lot of flashbacks to a young Steve Rogers growing up in Depression-era Lower East Side, and getting to know his family and his friends, and how this 98-pound weakling became such a tenacious, strong person; focus on the fiber and the integrity of who he is, and really develop that for the first time.